{"title":"Just added!","description":"","products":[{"product_id":"if-a-coconut-falls","title":"If a coconut falls","description":"\u003cp\u003e\u003cem\u003eIf a coconut falls\u003c\/em\u003e\u003cspan\u003e by Keg de Souza i\u003c\/span\u003es a response to Manuel Erédia‘s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuma de árvores e plantas da Índia intra Ganges\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1612), an early colonial attempt of a compendium of South Asian medicinal plants – that has resided in Abby de Tongerlo, Belgium since the mid-18\u003csup\u003eth\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eCentury and contains 74 illustrations of Indian plants and descriptions of their medicinal uses.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIf a coconut falls\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003einterrogates who has access to this archive and how can this knowledge be repatriated to Goa. As a way to distribute and archive this knowledge in a more accessible way, on the lands that these plants grow, the artist has created a ‘mirror’ of the archive in paperback form. The book features original illustrations of the native Indian plants featured in the S\u003cem\u003euma\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewith descriptions of their medicinal uses alongside them.\u003c\/p\u003e\n\u003cp\u003eThe illustrations in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuma\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewere to give colonial elites (Erédia’s patrons) an accurate idea of the most useful South Asian healing plants. The knowledge was to help colonial officials preserve soldiers’ lives in the unfamiliar  tropics, but also to identify medical commodities for economic potential. This version serves to centre local language – (so instead of being in Portuguese like the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSuma\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eit is in Konkani first – then English).\u003c\/p\u003e\n\u003cp\u003eThe publication is dedicated to the artist’s mother’s cousin, Dr Marie D’Souza who passed away earlier this year, a healer who left the world of Western medicine to live and learn Adivasi traditional medicine. She compiled this knowledge into the book Ādivāsi dāvādūrī = Tribal medicine (1996), as an archive of this traditional knowledge.\u003c\/p\u003e\n\u003cp\u003eThe work’s title\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIf a coconut falls\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etakes its starting point from a Goan saying shared by the artist’s mother: ‘If a coconut falls from a tree in Goa it will either land on: a pig; a priest or a de Souza’. What seems like a simple observational adage about the commonality and abundance of these things in Goa, truly embodies a long history of colonisation and adaptation through food, Catholicism and language – even through the Portuguese surname the artist holds.\u003cbr\u003e\u003cbr\u003eLearn more about this zine by listening to a \u003ca href=\"https:\/\/4a.com.au\/talks\/\" target=\"_blank\"\u003e4A Talks podcast episode\u003c\/a\u003e between Keg de Souza and Mariam Ella Arcilla (Magenta House), joined by artist Chu Hao Pei.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKeg de Souza is an artist of Goan ancestry who lives on unceded Gadigal land in Sydney. Architecturally trained, she creates social and spatial environments, making reference to her lived experiences of squatting and organising with projects that use plant and food politics, temporary architecture, publishing and radical pedagogy. De Souza also draws from personal experiences of colonialism to inform her layered projects that centre voices that are often marginalised, for learning about Place. Themes of displacement – through lenses such as colonialism and gentrification – filter through her work, sharing (often lesser-known) stories of plants, people and Place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Keg de Souza","offers":[{"title":"Default Title","offer_id":45265459216569,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/IMG_7769cover.jpg?v=1755530024"},{"product_id":"in-the-name-of-the-trees","title":"In the Name of the Trees","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eIn the Name of the Trees \u003c\/em\u003eis the new novel by award-winning Filipina writer and performer Merlinda Bobis. The book traverses four generations of women who endure war, colonisation, and displacement—sustained by memory and the language of trees.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003eIn \u003cem\u003ethe name \u003c\/em\u003eof the trees, I retrieve you from hurt and sickness.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eIn a Philippine ritual of retrieval, Lola Narra tries to heal her granddaughter Dao who was paralysed in an accident that killed her father. They live in Canberra, far from the healing trees of their first home in the village of Iláwod where the story began. But between the Philippines and Australia, the land knows, the trees know: wound on wound on wound—lugad sa lugad sa lugad. Such is the colonial inheritance of four generations of Filipinas named after trees: Banaba, Narra, Pili and Dao. Their rifts are deep, their heartbreaks more wounding. They tell stories to hide, evade, or make truth bearable. But trees remember. They do not lie.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAbout the author\u003cbr\u003e\u003c\/strong\u003eMerlinda Bobis\u003cspan\u003e is the author of four novels, two books of short fiction and six collections of poetry. Her novel Locust Girl, a Lovesong won the Christina Stead Prize for Fiction in the NSW Premier’s Literary Awards and the Philippine National Book Award in 2016. It has been translated to Tamil and is currently awaiting the publication of its Italian translation. The Kindness of Birds received the Canberra Critics' Circle Award in 2021. It was shortlisted for the Christina Stead Prize and the Steele Rudd Award, and was Highly Commended for the ACT Book of the Year in 2022. She is the recipient of numerous other awards in Australia, Philippines, US and Italy. In 2025 she was named as one of the top 10 female novelists shaping the literary scene in Southeast Asia. She regards her writing as a homecoming: a return to roots, a retrieval through memory, and a reckoning with loss, hopefully with care and grace. She lives and writes on Ngunnawal and Ngambri Country (Canberra). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePraise for Merlinda Bobis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003ca href=\"https:\/\/www.merlindabobis.com\/\"\u003e\u003c\/a\u003eMerlinda Bobis is a writer whose work transcends … [her] writing, in both her poetry and her prose fiction, is at once reassuring and uncomfortable; it quietly sears as it sings. \u003cbr\u003e—\u003cem\u003eSydney Review of Books\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e Bobis is a stroyteller whose work draws on the ancient Pacific talkstory tradition yet also blasts it apart with exciting new sounds and justapositions, She is always issuing a challenge to the reader – a haka from the pen.\u003cbr\u003e—\u003cem\u003eNew Fiction from the Pacific\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003ePublished by Spinifex Press\u003cbr\u003eOctober 2025 \u003cbr\u003eISBN 9781922964281 \u003cbr\u003ePaperback\u003cbr\u003e152 mm x 229 mm\u003cbr\u003e160 pages\u003c\/p\u003e","brand":"Spinifex","offers":[{"title":"Default Title","offer_id":45436358721721,"sku":null,"price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/IMG_8541.heic?v=1760677022"},{"product_id":"debris-magazine-issue-06-no","title":"Debris Magazine Issue 06: No!","description":"\u003cp\u003e\u003cstrong\u003eDebris Magazine Issue 06: NO!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"mcePastedContent\"\u003e\u003cstrong\u003eCONTRIBUTORS: \u003c\/strong\u003eJon Tjhia and Cher Tan, \u003cspan\u003eπ\u003c\/span\u003e.O, Alissar Seyla, Luca Demetriadi, Alex Creece, Boohoo Collective, Smriti Daniel, Jahan Rezakhanlou, Tim Loveday, Matt Huyn, Tom Campbell, Dominic Guerrera, Naavikaran, Claire Cao, Hannah Wu, Chunxiao Qu, Pu Guo.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"mcePastedContent\"\u003e\u003cbr\u003e“\u003cem\u003eWe came to No as a catalyst for this issue in part because we were moving around (with) that sense of foreclosure, and in noting its specific and egalitarian energy. 'No', too, is arguably the only word in the English language that doesn't lend itself to ambiguity, with variations of the same in other languages with similar roots: non, nil, nej, nahin, nein, ne, nihil, net, nu, nem, nee. We wondered what creeps into the wake of no.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"p2\"\u003e\u003cem\u003eAs it happens, our previous co-edited issue of Debris sprouted from - 'The Urge to Know' - a feature and cornerstone of our friendship. Three years since then, 'know' left 'no' in its wake, the many tendrils of the former dissolving into ashes that contained refusal, negation and the urge to annihilate. To know and to no - it felt clear that both affects arise from the same wellspring.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"p3\"\u003e\u003cstrong\u003e\u003cspan\u003e— \u003c\/span\u003eJon Tjhia and Cher Tan, editors.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"mcePastedContent\"\u003e\u003cstrong\u003eCOVER: \u003c\/strong\u003ePu Guo\u003cbr\u003e\u003cstrong\u003eDESIGNER: \u003c\/strong\u003eMalou Messien\u003cbr\u003e\u003cstrong\u003eCOPY-EDITOR: \u003c\/strong\u003eCarol Que\u003cbr\u003e\u003cstrong\u003ePUBLISHER: \u003c\/strong\u003eJulia Flaster\u003c\/p\u003e","brand":"Debris Magazine","offers":[{"title":"Default Title","offer_id":45912953389241,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Screenshot2026-01-20at01.23.39.png?v=1768832627"},{"product_id":"n-moalla-love-letters-to-baba","title":"N Mo'alla - Love Letters to Baba","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn her own words:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eLove Letters to Baba\u003c\/i\u003e\u003cspan\u003e is an ode to my Baba — the proud Palestinian who taught me everything I know about what it means to be of this land and people. He knew how to carry the immensity of loss in one hand, and the spark of defiance in the other — gifting both to his firstborn, gently, fiercely, as only a Palestinian father could.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMy writing is an assertion of our existence as Palestinians, in the face of the deliberate and ongoing destruction of our land, culture, and people. It is the spark of Palestinian defiance my Baba gifted me — the embodiment of our sumud, our steadfastness, and our refusal to disappear. In these letters to Baba, I sought to assert our collective identity — as a people so often defined by displacement, I wanted to offer the dialectics of return. \u003c\/span\u003e\u003ci\u003eWe are not our displacement and suffering; we are our persistence and defiance.\"\u003cbr\u003e\u003cbr\u003e– N Mo’alla\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cmeta charset=\"utf-8\"\u003eN Mo’alla is a Palestinian writer and the grandchild of Nakba survivors, whose poetry began as letters to her late father and now serves as a defiant act of remembrance, sumud, and refusal to disappear.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Illographo Press","offers":[{"title":"Default Title","offer_id":46402280489145,"sku":null,"price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/LoveLetterstoBababyNM_BookPics-23August_2537.jpg?v=1771334680"},{"product_id":"فلسطين-poetry-and-prints-for-palestine","title":"فلسطين Poetry and Prints for Palestine","description":"\u003cdiv class=\"rte mt-8\"\u003e\n\u003cp\u003eفلسطين Poetry \u0026amp; Prints for Palestine is a tribute to the enduring Palestinian spirit–“Like seeds, we grow”. The beautiful cover art by Wasielah Noorsjamsi depicts poppies symbolising the unbreakable connection that Palestinians have with their land and the bloodshed they have endured.\u003c\/p\u003e\n\u003cp\u003eThe book is inspired by the final poem written by Palestinian poet and activist Refaat Alareer before his death: “If I must die, you must live to tell my story…Let it bring hope, let it be a tale…” Through this publication, we honour all the Palestinians who have been martyred and displaced by Israel in the past 12 months and 75 years. This book is an art of resistance and remembrance. We live to tell their stories.\u003c\/p\u003e\n\u003cp\u003eThis anthology is a collaboration by Illographo Press, The Pvblication and An.Other Collective. Our sisterhood of interfaith and multicultural creatives linked arms and called on our communities to bring this book to life so that it may serve as a beacon of hope during these dark times.\u003c\/p\u003e\n\u003cp\u003eCurated and edited by Lamisa Haque. Featuring works by Palestinian poets Noor Mo’alla and Narelle Odeh, together with over 50 local and international artists who contributed pieces to show solidarity and support for Palestinians in Gaza, the West Bank and across the diaspora.\u003c\/p\u003e\n\u003cp\u003eVarious artists; published by Illographo Press.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e156 x \u003c\/span\u003e\u003cspan\u003e243mm, 92 pages, Colour printing, Perfect bound, Softcover, 2024\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Illographo Press","offers":[{"title":"Default Title","offer_id":46402288910521,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/WBBxPP4P_8329.jpg?v=1771334880"},{"product_id":"i-love-you-in-the-most-platonic-way-possible","title":"i love you in the most platonic way possible","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA poetic exploration of the many forms and languages of love. BEA’s poems are words of affirmation, love letters and confessions fearlessly peeling back the layers and colourful nuances of platonic relationships that one can’t help but feel seen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing the best of BEA’s love poems from 2020-2023, \u003c\/span\u003e\u003ci\u003eILYITMPWP\u003c\/i\u003e\u003cspan\u003e is a must-read for anyone with a big heart.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Illographo Press\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eISBN: 978-0-6457234-4-1\u003cbr\u003ePublication date: 21 May 2024 \u003cbr\u003eSize:  78 pages, 138mm x 197 mm, Perfect bound \u003cbr\u003eEdition: 200\u003c\/span\u003e\u003c\/p\u003e","brand":"Illographo Press","offers":[{"title":"Default Title","offer_id":46402295824569,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/ILYITMPWPbyBEAxIllographoPress-19May2024_1056.jpg?v=1771335062"},{"product_id":"the-diet-starts-on-monday","title":"The Diet Starts on Monday","description":"\u003cp class=\"font_7 wixui-rich-text__text\"\u003eZara Hagopian is size 22. She has a secret crush on the hottest boy in school, Pablo Fernandez, who has a skinny girlfriend named Holly. Zara hangs out with her best friends Carmelina and Max. They go window shopping in Parramatta and drink hot chocolate in Stockland Mall. Zara learns some of life’s hard lessons when she puts these friendships on the line and goes on a diet to win the boy of her dreams.\u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cbr class=\"wixui-rich-text__text\"\u003eThe Diet Starts on Monday is the first in a series of novels to be published by Sweatshop. Tamar Chnorhokian is a vital new voice from Western Sydney. Her debut young adults fiction speaks to young Australians with double servings of humour and heart.\u003c\/p\u003e","brand":"Sweatshop Books","offers":[{"title":"Default Title","offer_id":46402312569017,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/bc2f74_34a0894c402149d58ba085c7dff6477a_mv2.avif?v=1771335782"},{"product_id":"the-blaft-anthology-of-gujarati-pulp-fiction","title":"The Blaft Anthology of Gujarati Pulp Fiction","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA rollicking, rip-roaring ride through the world of Gujarati pulp, \u003cstrong\u003e\u003cem\u003eThe Blaft Anthology of Gujarati Pulp Fiction\u003c\/em\u003e\u003c\/strong\u003e is a collection of short stories and novellas from Gujarat's bestselling adventure, horror, and mystery writers was funded by a successful Kickstarter campaign in Jan-Feb 2024. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe anthology includes \u003c\/span\u003e\u003cspan\u003eKaal Kundali\u003c\/span\u003e\u003cspan\u003e by H.N. \"Atom\" Golibar, known for his supernatural-tinged crime thrillers; \u003c\/span\u003e\u003cspan\u003eVarunlokma\u003c\/span\u003e\u003cspan\u003e by Bansidhar Shukla, which features genetically-altered mermen in a secret undersea empire; two stories by Ekta Nirav Doshi, famous for her folk horror about \u003c\/span\u003e\u003cspan\u003ekhavis\u003c\/span\u003e\u003cspan\u003e and haunted forts; \u003c\/span\u003e\u003cspan\u003eBar Dancer\u003c\/span\u003e\u003cspan\u003e by Vibhavari Verma\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003ea revenge fantasy set in the Mumbai underworld; and a story by Kanu Baghdev, one of the most prolific Gujarati writers of all time. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn addition, the book features a section of colour plates with a gallery of cover art, as well as original black-and-white art for \u003c\/span\u003e\u003cspan\u003eKaal Kundali\u003c\/span\u003e\u003cspan\u003e by prolific Gujarati magazine illustrator G. Sandhwani.\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\"\u003cem\u003e...Blaft does it again! Gujarati Pulp Fiction is a showstopper, full of thrills and chills... as well as startling feats of science, enchantment, and feminine wiles. Vishwambhari S. Parmar's translations are hip and fun and bring alive the pulpy goodness of the original tales. There are also many not-to-be-missed extras, such as fascinating author bios, original illustrations, and 'jokelates' from original editions. I was riveted, astonished, mesmerized!\" \u003c\/em\u003e—\u003cstrong\u003eDaisy Rockwell, Booker-award-winning translator of Tomb of Sand\u003c\/strong\u003e\u003cem\u003e \u003cbr\u003e\u003cbr\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThe inclusion of illustrations and old-school cover art adds so much nostalgic charm. It’s like holding a piece of hidden literary history in your hands. Whether you’re a fan of horror, fantasy, crime, or just something completely different, this anthology is a rare gem. Loud, proud, and pulpy to the core\" \u003c\/em\u003e—\u003cstrong\u003eMahi Aggarwal\u003c\/strong\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSelected and translated by Vishwambhari S. Parmar\u003cbr\u003eEdited by Rakesh Khanna\u003cbr\u003e400 pages. 8.25\" x 5.5\". 600 g\u003cbr\u003ePaperback ISBN:  9789380636696\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eVishwambhari S. Parmar\u003c\/strong\u003e\u003cspan\u003e is based in Gujarat. She recently completed her M.A. in English and Cultural Studies from CHRIST University, Bangalore. Her academic journey has been marked by a keen interest in body politics, and this was the focus of much of her graduate work. She is currently working as a nature educator under the Bhoomi Fellowship. \u003c\/span\u003e\u003cspan\u003eShe loves reading fantasy fiction, and collects retellings of \u003c\/span\u003e\u003cspan\u003ePride and Prejudice\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRakesh Khanna\u003c\/strong\u003e\u003cspan\u003e is a co-founder of Blaft and the editor of \u003c\/span\u003e\u003cspan\u003eThe\u003c\/span\u003e\u003ca href=\"https:\/\/www.blaft.com\/collections\/new-arrivals\/products\/the-blaft-anthology-of-tamil-pulp-fiction-vol-1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003eBlaft Anthology of Tamil Pulp Fiction\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eVol. 1\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003e2\u003c\/span\u003e\u003cspan\u003e. He is also the co-author of \u003c\/span\u003e\u003cspan\u003eGhosts, Monsters, and Demons of India\u003c\/span\u003e\u003cspan\u003e, an encyclopædia of folkloric fiends from all over the country, recently published in an international edition by Watkins Books.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlaft \u003c\/span\u003e\u003c\/p\u003e","brand":"BLAFT","offers":[{"title":"Default Title","offer_id":46402493939897,"sku":null,"price":51.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/3d_website_480x480_8c1b530b-b6ba-427a-a68f-39ca5e76641f.webp?v=1771336949"},{"product_id":"the-seekers","title":"The Seekers","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe Seekers\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eBy Gautamiputra Kamble\u003cbr\u003etranslated from the Marathi by Sirus J. Libeiro\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eThe seekers in these stories travel through worlds both ancient and modern, worlds of symbol and fantastical allegory, on their paths to greater truth.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe state of Maharashtra is famous for its ancient Buddhist cave complexes. It's also known as the birthplace of leaders in the struggle against caste oppression: Jyotirao and Savitribai Phule in the early 1800s, and B. R. Ambedkar in 1891. It is here that Dr. Ambedkar, architect of the Indian constitution and warrior against the practice of untouchability, led marches for the right of Dalit people to draw water from community wells, to enter temples, to live with dignity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eThe Seekers\u003c\/em\u003e consists of five stories that hold Phule-Ambedkarite thought at their core, weaving together the history of ideological conflict, the pursuit of artistic excellence, and the unquenchable human thirst for freedom. The book tells of ancient revelations, of flood and fire, of vast deadly deserts, of people turned to stone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is a unique work of anti-caste Marathi literature that feels both timeless and sparklingly new.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\"...Gautamiputra’s stories shun the beaten path, chart their own course, and leave indelible footprints for others to follow\"\u003c\/strong\u003e —Raja Dhale (1940-2019), writer and activist, co-founder of the Dalit Panthers\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e186 pages. 8.25\" x 5.5\". 275 g.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN: 978-93-80636-85-6\u003c\/span\u003e\u003c\/p\u003e","brand":"BLAFT","offers":[{"title":"Default Title","offer_id":46407640907961,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/The_Seekers_1024x1024_6d1d04e0-a084-44d4-bf95-5abc22389309.webp?v=1771417808"},{"product_id":"nanay-magsasaka","title":"Nanay Magsasaka","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e\u003cmeta charset=\"utf-8\"\u003eNanay Magsasaka is the first published poetry book written by a peasant woman in the history of Philippine literature and is full of feeling - love for family, esteem for kasamas, and ardent struggle. Written by Lupang Ramos, the poems show a devout belief in a united collective to overcome the challenges faced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eLanguage: Tagalog and English\u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003e\u003cstrong\u003eINTRODUKSIYON\u003c\/strong\u003e\u003cbr\u003eMiriam Amor A. Villanueva Secretary-General, KASAMA-LR\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eBahagi ng kultura ng mga Pilipino ang pagiging makata. Ang ating mga bayani mula sa himagsikan ay maraming iniwang mga kathang tula na naglalarawan ng kalagayan ng lipunang Pilipino. Tumatagos sa puso ang bawat talata nito, nakapagmumulat, siyentipiko, at makabayan.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eGanito rin ang mga tula ni Marites Naval Nicart o “Nanay Thess” ng Lupang Ramos. Ang bawat tula ay isinulat sa mga lilim ng puno, sa kubo sa gitna ng sakahan, sa ibabaw ng mga bato ng ilog, sa hapag-kainan at balisbisan ng kanilang tahanan. Ang pagtutula ay paraan niya kung paano matatakasan ang pagod at kahirapan bilang isang babae, nanay, asawa, at lider-kababaihan ng lupaing matagal nang nakikibaka para sa tunay na reporma sa lupa. Hindi man nagtapos sa mga pamantasan, ang malawak na 372-hektaryang lupain ng Lupang Ramos ang kanyang paaralan.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eSi Nanay Thess ay ipinanganak sa saklaw ng kalupaan ng Lupang Ramos, Langkaan 1, City of Dasmariñas, Cavite noong ika-3 ng Nobyembre, 1974. Mula sa pamilya ng manggagawang bukid ang kanyang mga magulang na sina Francisco Ortinez Nicart at Rupinita De Castro Naval. Mula Langkaan 1, napauwi sila sa kalapit-barangay na Sampaloc 2 sa tawid-ilog noong siya ay mga limang taong gulang. Tumawid sila ng ilog dahil nagkasakit ang bunso niyang kapatid at naospital sa Silang, Cavite. Ngunit namatay din ang kanyang kapatid. Hindi na sila pinabalik sa Langkaan ng lolo at lola niya dahil maulan noon at mahirap na ang patawid-tawid sa ilog. Hindi nagtagal ay namatay din sa sakit ang sinundan ng bunsong kapatid niya at hindi na nadala sa ospital. Apat silang magkakapatid at dalawa na lamang silang naiwan.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eSaksi si Nanay Thess sa tunay na mukha ng kahirapan. Sa kabila ng lahat ng ito, sinikap ng kanyang magulang na sila ay makapag-aral. Subalit elementary lang ang kanyang natapos, samantalang ang kanyang kuya ay nakatapos ng vocational course. Lahat ng klaseng trabaho ay pinasok niya. Ilang panahon din siyang naging manggagawa sa pabrika.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eNatutong magmahal, ngunit sabi niya, palpak at huwad ang una niyang pag-ibig. Muli siyang nagmahal kay Charlito Estaton Agarpao na nagpakilala sa kanya ng tunay na pag-ibig ayon sa kanya. Biniyayaan sila ng limang anak, tatlong babae at dalawang lalaki.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003eSimple lang si Nanay Thess, pero isang masipag, mapanlikhang babae at higit sa lahat, makabagong kababaihan ng kanyang henerasyong hinubog ng mga karanasan sa tuluy-tuloy na paglahok sa produksiyon.\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePublication Year:\u003c\/strong\u003e\u003cspan\u003e 2025\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e\u003cspan\u003e Filipino, English\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e\u003cspan\u003e Print\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePages:\u003c\/strong\u003e\u003cspan\u003e 94\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSize: \u003c\/strong\u003e\u003cspan\u003e5.5” x 8”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003e \u003c\/p\u003e\n\u003cp class=\"wp-block-paragraph\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"xdj266r x14z9mp xat24cr x1lziwak x1vvkbs x126k92a\"\u003e\n\u003cdiv dir=\"auto\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Gantala Press","offers":[{"title":"Default Title","offer_id":46419671089337,"sku":null,"price":15.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Nanay-Magsasaka-Front-Cover-Final.webp?v=1771564419"},{"product_id":"loop-hook-loom","title":"Loop, Hook, Loom: A creative collection of textile art made with yarn and thread","description":"\u003ch4 class=\"product_title entry-title\"\u003e\n\u003cem\u003e'Loop, Hook, Loom: A creative collection of textile art made with yarn and thread'\u003cbr\u003e\u003c\/em\u003efeatures a collection of 37 artists from around the globe who work with yarn to make unconventional and creative objects.\u003c\/h4\u003e\n\u003cp\u003eFrom artists knitting giant sweaters to those creating rooms bursting with imagined sea creatures, \u003cem\u003eLoop, Hook, Loom\u003c\/em\u003e brings together some of today’s most creative textile practices in a celebration of contemporary exploration and play. Broken down into three chapters – Weaving, Crochet and Knitting – author Sophia Cai dips into the history of these art forms and the creative ways they’re currently being expanded. An accessible entry point into the world of yarn-based art, \u003cem\u003eLoop, Hook, Loom\u003c\/em\u003e features both working artists and hobbyists, highlighting the endless possibilities of textiles.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e To celebrate the publication's release, author Sophia Cai and featured artist Paula do Prado will be appearing at Magenta House on Saturday 9 May for a \u003ca href=\"https:\/\/magentahouse.com.au\/programs\/loop-hook-loom-sydney\" rel=\"noopener\" target=\"_blank\"\u003ebook signing and collective crafting session\u003c\/a\u003e (update: sold out)\u003cem\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp class=\"product_title entry-title\"\u003e\u003cem\u003eLoop, Hook, Loom\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e A creative collection of textile art made with yarn and thread\u003cbr\u003e\u003c\/em\u003eAuthor: Sophia Cai\u003cbr\u003ePublisher: Smith Street Books\u003cbr\u003eDimension: 270mm h x 215mm w\u003cbr\u003ePages: 248\u003cbr\u003ePublishing month\/year: May 2026\u003cbr\u003eISBN: 9781923239845\u003c\/p\u003e\n\u003cp class=\"product_title entry-title\"\u003e\u003cem\u003ePick up from Redfern available (simply email us after purchasing for an automatic refund)\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAbout the author:\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSophia Cai 蔡晨昕 is a curator and writer based in Kamberri\/Canberra, Australia. Sophia’s  ongoing research interests include Asian art histories, the intersections between contemporary art and craft, and building communities of practice rooted in feminist and anti-racist work. Sophia is the current Artistic Director + CEO of Canberra Contemporary, one of Australia’s leading contemporary art organisations, and the Deputy Chair of NAVA, a peak advocacy body for Australia’s contemporary arts sector, while maintaining an independent writing and curatorial practice. \u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Smith Street Books","offers":[{"title":"Default Title","offer_id":46953390407865,"sku":null,"price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/LoopHookLoom_frontcover.jpg?v=1776258856"},{"product_id":"you-and-i-are-earth","title":"You And I Are Earth","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cstrong\u003eYou \u0026amp; I Are Earth \u003c\/strong\u003eis a \u003c\/span\u003e\u003cem\u003ecuration of short prose and poetry that celebrate friendship, platonic \u003c\/em\u003e\u003cem\u003eintimacy, and yearning. Drawing inspiration from Earth’s reciprocal relationship with itself —You \u0026amp; I Are Earth reflects the friendships that taught me to love wholeheartedly, and understand what true community means with people who understand you. \u003c\/em\u003e\u003cem\u003e‘You \u0026amp; I Are Earth: A collection of open love letters for my friends — the people in my life that I hold near and dear to my heart. Thank you for being the soil that enriches me, the river that keeps me flowing, and the orchard that perpetually brings sweet fruit into the palm of my hands. You and I are Earth; the sun that warms my skin pales in comparison to the light you have given my life.’\" \u003c\/em\u003e-- Reese Claro\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA5 sized, 2 x 16 paged booklets\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSaddle stitch bound with blue waxed thread. \u003cbr\u003eRubber band bound to 300GSM watercolour paper \u003cbr\u003ecover and painted with Prussian Blue acrylic paint. \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWrapped in red nylon cord and fastened around hand-stitched acrylic brown buttons. Printed on 110GSM cartridge paper for the inner pages on home printer\u003cbr\u003eCyanotype printed on 300GSM watercolour paper for the covers.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Reese Claro","offers":[{"title":"Default Title","offer_id":47230846763193,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/IMG_0197.heic?v=1779332318"},{"product_id":"cantik-manis","title":"Cantik Manis","description":"\u003cp\u003e\u003cstrong\u003eCantik Manis\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003econtemporary food zine written\u003c\/span\u003e by Indonesian chef, Rahel Stephanie (aka Eat with Spoons).\u003c\/p\u003e\n\u003cp\u003eNamed after a beloved Indonesian sweet that translates directly to “pretty and sweet”, the zine moves through memory and recipe in equal measure, reflecting on sweetness as a narrative of beauty, gender, and the politics of perception.\u003cbr\u003e\u003cbr\u003ePlayful, flirtatious, and full of intention, what begins as a tribute to a childhood favourite opens into a wider meditation on visibility and voice. Traversing across nostalgia to exoticisation, food is positioned as a subject to articulating the complexity of being-in-\u003cbr\u003ebetween cultures, and contexts.\u003c\/p\u003e\n\u003cp\u003eFormat: 170 pages, 12 x 12 cm, softcover\u003cbr\u003ePublisher: Tiny Studio (Indonesia)\u003cbr\u003eLanguage: English\u003c\/p\u003e","brand":"Tiny Studio","offers":[{"title":"Default Title","offer_id":47308253429945,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Cantik-Manis-08_1296x_85821d5e-6b9c-4cbc-a947-4b6b155575cb.webp?v=1780237688"},{"product_id":"pedas-a-fiery-cooking-zine","title":"Pedas: A Fiery Cooking Zine","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003ePedas: A Fiery Cooking Zine\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e is written by Indonesian chef, Rahel Stephanie \u003cmeta charset=\"utf-8\"\u003e(aka Eat with Spoons).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDelving into the heart of Indonesian cuisine with a focus on the vibrant and essential flavor of \u003c\/span\u003e\u003cem\u003ePedas\u003c\/em\u003e\u003cspan\u003e (meaning ‘spicy’)”, this cookery publication features six spicy recipes (complete with review notecards), an essay about the importance of sambal, plus reviews of Indonesian street vendors.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEnriched with musings and narratives about local culinary culture, the playful imagery creates an effect that mirrors the “dizzying” effects of consuming spicy meals.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Apart from being an extension of myself and my cooking practices, this zine is my journey in reclaiming the essence of pedas as an Indonesian woman.” — Rahel Stephanie\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFormat: 46 pages, 11 x 27 cm, softcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublisher: Tiny Studio (Indonesia)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/p\u003e","brand":"Tiny Studio","offers":[{"title":"Default Title","offer_id":47308772212921,"sku":null,"price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/6910e1b38f37b93b7ce4477975d0763e_8ad3196c28d87347d113a258e8068f8e_jpg.webp?v=1780238191"},{"product_id":"india-street-lettering","title":"India Street Lettering","description":"\u003cp class=\"has-text-align-center\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eIndia Street Lettering\u003c\/em\u003e: \u003cem\u003eA Journey Through Typographic Craft \u0026amp; Culture\u003c\/em\u003e\u003c\/strong\u003e, Pooja Saxena shines a spotlight on the country’s urban letterforms—and the surprising stories behind them. \u003c\/p\u003e\n\u003cp class=\"has-text-align-center\"\u003eTake a short walk in any Indian neighbourhood and you’ll find signboards in a profusion of languages, styles, materials, and colours. So far, this living typographic archive has existed on the fringes of mainstream design discourse.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIndia Street Lettering\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings it to the fore, celebrating the artistic expression, linguistic diversity, and historical intrigue found in the vibrant letterforms around the country.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"has-miller-headline-font-family has-large-font-size\"\u003eDrawing from a decade of documentation and research,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIndia Street Lettering: A Journey Through Typographic Craft \u0026amp; Culture\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a showcase of the country’s lively public lettering landscape, and an emphatic call to give this artistry the place it deserves in the design canon. \u003c\/p\u003e\n\u003cp\u003eThe book is divided into five chapters that scrutinise how signs are imagined — on shops, restaurants, cinemas, banks, post offices, even homes — and the role that typography and cultural history play in their design. Together, the chapters feature over 300 photographs from 17 cities and in 13 scripts, painting a vivid picture of urban neighbourhoods in India. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISBN 978-93-80636-97-9\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8 inches × 8 inches\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e208 pp\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by \u003c\/span\u003e\u003ca href=\"https:\/\/www.blaft.com\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003e\u003cstrong\u003eBlaft Publications\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3 class=\"wp-block-heading\" id=\"h-praise-for-the-book\"\u003ePraise for the book\u003c\/h3\u003e\n\u003cp class=\"has-miller-headline-font-family has-large-font-size\"\u003e\u003cem\u003e[India Street Lettering]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis fabulous… every spread glows… Pooja’s incandescent compendium is a required pur­chase for anyone inter­ested in typography, graphic design, and\/or urban space.\u003c\/p\u003e\n\u003cp class=\"has-postea-font-family has-small-font-size\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.robinsloan.com\/newsletters\/good-trains\/\" type=\"link\" id=\"https:\/\/www.robinsloan.com\/newsletters\/good-trains\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eRobin Sloan\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv aria-hidden=\"true\" class=\"wp-block-spacer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\"\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp class=\"has-miller-headline-font-family has-large-font-size\"\u003e\u003cem\u003eIndia Street Lettering\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a warm, thoughtful look at the signs that quietly shape India’s streets… It’s part archive, part love letter, and a deeply satisfying record of India’s everyday typography.\u003c\/p\u003e\n\u003cp class=\"has-postea-font-family has-small-font-size\"\u003e\u003cstrong\u003eSheya Kurian,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/thenodmag.com\/content\/nod-list-ekaya-brocade-tree-christmas-events-mumbai-delhi#a-love-letter-to-indias-street-signs\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eThe Nod\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"\u003e\n\u003cp class=\"has-miller-headline-font-family has-large-font-size\"\u003eFor anyone concerned with preserving craft knowledge,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e[India Street Lettering]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a reminder that some archives only exist if individuals commit to building them, sign by sign, before the digital printers arrive.\u003c\/p\u003e\n\u003cp class=\"has-postea-font-family has-small-font-size\"\u003e\u003cstrong\u003eTom May,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.creativeboom.com\/resources\/why-indias-disappearing-street-lettering-is-unmissable-inspiration-for-designers\/\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eCreative Boom\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv aria-hidden=\"true\" class=\"wp-block-spacer\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"has-miller-headline-font-family has-large-font-size\" id=\"h-india-street-lettering-is-a-warm-thoughtful-look-at-the-signs-that-quietly-shape-india-s-streets-it-s-part-archive-part-love-letter-and-a-deeply-satisfying-record-of-india-s-everyday-typography\"\u003eDocumenting public lettering of a country colonized until 1947, whose vast typographic heritage ended up in British institutions rather than where it belongs, [is] an act of resistance.\u003c\/p\u003e\n\u003cp class=\"has-postea-font-family has-small-font-size\"\u003e\u003cstrong\u003eFlavia Zimbardi,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/contraforma.substack.com\/p\/marginalia-takeover1\" rel=\"noreferrer noopener\" target=\"_blank\"\u003eContraforma\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"BLAFT","offers":[{"title":"Default Title","offer_id":47308775620793,"sku":null,"price":49.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Untitleddesign_41.png?v=1780570898"},{"product_id":"assistant-to-the-assistant-chef","title":"Assistant to the Assistant Chef","description":"\u003cp\u003e\u003cstrong\u003eAssistant to the Assistant Chef\u003c\/strong\u003e is a non-hierarchical interview zine by The Slow Press featuring people who cook professionally, from stage to sous. Featuring the romantic, the mundane, the in-and-outs, the down-and-outs - this zine’s for the curious readers who want to know whether people really do say “yes chef.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFeaturing:\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChia Yong Jin\u003c\/li\u003e\n\u003cli\u003ePanida (Kat) Rojanapiensatith\u003c\/li\u003e\n\u003cli\u003eEllen Nathania\u003c\/li\u003e\n\u003cli\u003eIsabel Galiñanes García\u003c\/li\u003e\n\u003cli\u003eJoseph Ong\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA5 (125 x 210mm), 88 pages, self-published and printed. Launched in Singapore, November 2025 with an offset print of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Slow Press","offers":[{"title":"Default Title","offer_id":47357883187385,"sku":null,"price":32.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/IMG_0941.heic?v=1780568542"},{"product_id":"serving-suggestion-issue-03","title":"Serving Suggestion: Issue 03","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cem\u003eServing Suggestion: Issue 03\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a contemporary food journal edited by Januar Rianto, Almer Mikhail and Shaquille Norman.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn preparing certain dishes, ‘time’ is the single most important ingredient. Even in the earliest human civilisations, we learned to harness time—to ferment, to age, and to let natural processes run their course.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn this issue’s Sharing Table, Serving Suggestion speaks with cultural researcher Hilmar Farid on Indonesia’s cultural identity, gastronomy, and publishing. Elsewhere, Alex Todaro and Nicole Vindel present “Take-away: Degustations on Grief”, a visual essay tracing six stages of grief through suspenseful, food-driven scenes. Justin Noah Chua and Moira Tirtha reflect on taste, cultural domination, politics, and identity, while Foodways delves into the history of tea in Indonesia and its present-day landscape.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eServing Suggestion\u003c\/em\u003e is a magazine reading into culture through food—serving up stories and other pieces on our connection with what we consume through multifarious perspectives.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished by Further Reading Press\u003cbr\u003eSoftcover, saddle stitch sewn binding, 88 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e155 × 225 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFour-colour Risograph on acid free, \u003cbr\u003eEU Ecolabel, FSC®️ and PEFC™️ certified papers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Further Reading Press","offers":[{"title":"Default Title","offer_id":47357919920313,"sku":null,"price":34.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Untitleddesign_43.png?v=1780571804"},{"product_id":"tending-apart-reflections-on-southeast-asian-solidarity","title":"Tending Apart: Reflections on Southeast Asian Solidarity","description":"\u003cp\u003e\u003cem\u003eTending Apart: Reflections on Southeast Asian Solidarity\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a collection of ruminations on reaching towards a language of Southeast Asian solidarity, published by New Naratif.\u003c\/p\u003e\n\u003cp\u003eThis zine is an ongoing dialogue, one that invites your participation, reflection and even critique of the fragments that we share.\u003c\/p\u003e\n\u003cp\u003eIn witnessing these stories, may you experiment with your own ideals and reflections on what a Southeast Asian solidarity might mean or whether it can even be dreamed at all.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“History cannot reverberate in soil. No roots to forge unity, no land to name as one’s own.”\u003c\/span\u003e\u003c\/p\u003e","brand":"Magenta House","offers":[{"title":"Default Title","offer_id":47358109122745,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Untitleddesign_37.png?v=1780570569"},{"product_id":"some-type-of-love","title":"Some Type of Love","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003eSome Type of Love\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003eis a chapbook of creative writing and poetry by Indonesian writers Christabelle Adeline, Rara Rizal and Farhanah; and designed by Kat Methanisa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first publication from Bali-based publisher, Cahyati Press, \u003c\/span\u003e\u003cem\u003eSome Type of Love\u003c\/em\u003e\u003cspan\u003e explores the manifestations of love that are not necessarily considered romantic, or conventional. Resulting in five personal fragments, each adopting an unexpected form, the zine features evocative poems by Rara Rizal and Farhanah. Originally released as an experimental zine and activity kit, \u003c\/span\u003e\u003cem\u003eSome Type of Love\u003c\/em\u003e\u003cspan\u003e has since been conveniently reprinted as a stand-alone publication.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by: Cahyati Press \u003cbr\u003eFormat: 40 pages\u003cbr\u003e15 x 21 cm\u003cbr\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLanguage: English\u003c\/span\u003e\u003c\/p\u003e","brand":"Cahyati Press","offers":[{"title":"Default Title","offer_id":47358257266873,"sku":null,"price":0.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/files\/Untitleddesign_42.png?v=1780571545"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0671\/7456\/4025\/collections\/ILYITMPWPbyBEAxIllographoPress-19May2024_0939.jpg?v=1771335276","url":"https:\/\/shop.magentahouse.com.au\/collections\/just-added.oembed","provider":"Magenta House","version":"1.0","type":"link"}